Tuesday, October 19, 2010

I wish I'd done that! - The Most Beautiful Seat Belt Commercial Ever



Over the years, there has been thousands of commercials attempting to scare everyone into using their safety belts. Most rely on fear of a police citations or on graphic images of injuries and death to convey their message.

This slow-motion TV spot from the Sussex Safer Roads Partnership, takes a completely different (and very creative) approach on the subject. When you break it down to it's simplest form, the commercial has great lighting, music and a typical family you can relate to. There are no special effects, driving scenarios, or even a vehicle.

This spot takes what seems to be a family-game-night and turns it into a heart touching, highly effective message - Embrace Life.

- Pete C.
Brainwerx Design

Embrace Life - Credits

Writer/Director: Daniel Cox
Producer: Sarah Alexander
Executive Producer: Neil Hopkins

Cast
Father: Austin Spangler
Mother: Lara Corrochano
Daughter: Clare Denning

Music

Assistant Director/ Production
1st Assistant Director: Lucy Wigmore
Assistant Producer: Vicky Del Campo
Runner: Tom Harburt

Camera:
Director of Photography: Luke Scott
Phantom Technician: Jason Berman
Focus Puller: John Mitchell
Gaffer: John Cantwell
Spark: Gary Nagle
Camera assistant: Steve Mayhew

Art Department:
Production Designer: Aoife Wilson
Art Director: James Custance
Storyboards: Peter Johnston

Post-Production
Editor: Daniel Cox
Colorist: Pat Wintersgill
Graphics Designer: Laylah Driscoll - Insert Graphics

Tuesday, October 12, 2010

Gap's new logo (for a week)

On Monday, October 4th, Gap quietly unveiled a new logo design which stirred many harsh criticisms. 
 
Gap’s iconic “old” logo featured a blue square containing the company’s name in all caps. The “new” logo shows a small gradated blue box over the top right side of the name. Graphic designers and Creatives worldwide tore apart this new look. One of the most common expressions was that the new GAP logo looked like it was taken straight out of a clip-art gallery. 

Within 24 hours of the unveiling, a Twitter account (@gaplogo) was created in hopes of obtaining new followers. This is a parody account, from the new logo’s point-of-view, being used as crowd control and even to backlash at posted comments. It’s first Tweet being: "I have feelings too, jerks."

Not to be outdone, the old GAP logo created an account (@OldGapLogo) and posted: “In the middle of the night, I was moved to a large windowless conference room filled with Old Navy mannequins. Send help now.”

To pour more fuel into the fire, posted on GAP’s official Facebook page on Oct. 6th was:

Thanks for everyone's input on the new logo! We've had the same logo for 20+ years, and this is just one of the things we're changing. We know this logo created a lot of buzz and we're thrilled to see passionate debates unfolding! So much so we're asking you to share your designs. We love our version, but we'd like to see other ideas. Stay tuned for details in the next few days on this crowd sourcing project.

Gap’s fan page was instantly filled with angry comments, such as:

“It looks like a cheap gas station logo... or better yet something Wal-mart would change to.”

You want a new logo? Quit asking for free designs (and I pity the designers who fell for this and sent serious submissions) and hire a professional designer/firm to create one for you. Your "crowdsourcing" ploy is nothing short of SPEC work, and completely disregards the contributions that designers have to business and culture.”

…they are just trying to get people to waste there time on creating a "free" logo and this whole crappy new logo design is just a major publicity stunt. Everyone’s talking about it, mission accomplished GAP.”

On Oct. 7, 2010, president of Gap North America, Marka Hansen, sent out a press release stating: "... Our brand and our clothes are changing and rethinking our logo is part of aligning with that. We want our customers to take notice of Gap and see what it stands for today. We chose this design as it's more contemporary and current. It honors our heritage through the blue box while still taking it forward..." (Read full article here.)

On Monday, Oct. 11th just one week after launching it's new logo, GAP Inc scrapped the design after reading over 2,000 negative comments on its Facebook page. It became painfully clear to Hansen that GAP Inc had missed an opportunity to engage with the online community.

When asked about the reinstatement, on Twitter, the original GAP logo modestly commented: "I think good design has prevailed. That makes me (and many others) happy."

From the start, I had hope that this was all just one big hoax to get free publicity. Companies spend millions (and billions) of dollars throughout their lifetime in branding efforts to expose their logos worldwide. Would GAP really throw all that away? In this manner and with this "new" design? Many companies out there, like Coca-Cola, have been able to maintain their brand for well over 20 years without changing their logos.

It’s interesting to me, how such a small word and a blue square have come to effect so many. It goes to show how color, size, placement, fonts and type styles affect us as consumers and brand followers. And how two, seemingly simple elements can portray the “feel” of young-middle-class-socialites, or of  generic-MS Word-template.

Although there are many talented graphic designers that are struggling for recognition or to land a job at a reputable advertising agency, crowd-sourcing is not the answer. I've seen many of the design work in these websites and can say that crowd-sourcing breeds mediocrity. It is nearly impossible for a talented designer to submit  unique, creative designs, when 95% of all submissions are sent out to every single job posting that fits it's criteria, without changing any elements other than the company's name. The majority of designers in crowd-sourcing websites are not creating new and unique designs for their potential customers, they are creating templates. And no company should pay an extraordinary amount of money for a design that is going to be sold over and over again, without their knowledge.

-Pete C.

Tuesday, October 5, 2010

Marketing your business starts with a Marketable Name

Every organization in the world goes by one name or another. Now, you can call your company "AAA Tax Services" and still be able to market you company’s name; however, the majority of your marketing plan will be based on phone book advertising and promotional calendars. There is absolutely nothing wrong with this. Many companies do well by doing just that, but when it comes time to expand your business and market it creatively, you'll already be limited by your company's name.
 
For the past 15 years I've used the name PC Graffix whenever I was marketing myself for freelance graphic design work.  I thought it was clever. "PC" stood for the letters of my initials, as well as for personal computer (no, it does not stand for a Windows based computer). And "Graffix" as in graphics but with the subliminal "fix," to convey that I could fix my potential clients’ advertising needs.

As clever as I thought the name was, I kept thinking that it was too limiting. Of course potential clients would know that I was a graphic designer, but would they make the connection to website design? What about laying out entire books? Yes, this was a long time ago and the public has come a long way in understanding the capabilities of a graphics designer. However, I was never completely convinced that I had chosen the proper name for myself, but I stuck with it because I had an emotional connection to it.

Often, choosing a company's name is based on emotional attachments, especially for small businesses. A friend of mine once told me that there should be a story behind a company's name, but I personally don't agree with this. Above all, I believe that a company's name should be memorable. No one will ever know the story behind your company’s name (besides your friends and family), if they can't remember it. At least until you make it really big and the media is beating down your door, wanting to tell your story.

Just recently I decided to “retire” PC Graffix and market myself as Brainwerx Design. The main reason for doing this is because I felt the new name was less limiting than the previous one. Just like before, I thought the name was clever but more importantly, I felt that potential clients would easily remember it. And a simple word change, from Graffix to Design, instantly broadens the ability to market the name. There was absolutely no story behind the name, no emotional attachment to it either.  All "Brainwerx" really says about me is that I'm "cerebral." It says something about my thought process when I design logos or websites. But that's not much of a "story," is it?

In my professional opinion, when it comes time to choose your own company’s name, consider how well your potential customers will be able to recall the name after just a few times of being exposed to it. Pick out a name that will broaden your marketing abilities, even if you don’t have the capability to explore every avenue from the start. It would be ideal if the name you chose for your company happens to tell your entire story, or just happens to make an emotional connection that will drive you to make your company succeed.  If it doesn’t, do not let a name hinder your business before it even starts.

Pete C.
Brainwerx Design

Tuesday, September 28, 2010

A Print Designer's First Website

A few weeks ago I met up with a potential client that needed help with his website. Let's call him Joe, shall we? He mentioned to me that his website was ranked extremely low in Google’s search results.
 
Visually, the website looked as if it had been designed over 10 years ago. Black background, dark gray body, bold white type. Also, the images took too long to load, and I noticed that several of his links were not active.

I won't go into ALL the gory details, but once I saw his site's mark up code, I was shocked. There was absolutely no META data on any of his pages! Search engines, like Google, use this information when adding pages to their search index list. So when you type “Apple computer” on Google’s search box, Google goes through its list of websites, and uses that META data to show you all the websites that are related to that phrase. Joe’s website had none of this coding. How were robots and spiders supposed to help determine his page ranking without these extremely vital codes?

Down and Dirty
A few days later, I meet Joe at his office to discuss my findings. After reviewing all his web files, it became VERY clear that his website was a print designer's first attempt at web design and construction. Joe's website only had 6 pages, one of which was never completed. However there was about 50 .HTML files in his server; some dating back 2 years. Some of the images used were saved at resolution of 300 dpi (Great for printing! Horrible for web design.) and sized at 800 x 600 pixels. Quite an over kill, since all static web pages should use images at 72 dpi, sized to 300x400 pixels, on average. His image file sizes were over 3x what is actually needed for this kind of website. No wonder his photos took so long to load.

Whoever created his website, also did not understand how to use DIV tags and style margins. The previous designer used tables (much like in Excel) as spacers to place all objects where he saw fit. He also used individual tables for each paragraph of body text, instead of creating cells.

Finally, I also had to break the news to Joe about his site’s lack of META adata, and why it's so important for search engines.

To help Joe better understand about robots and spiders sifting through this website, I re-created his home page using .PHP, proper DIV tags, 2 include commands and a CSS style sheet. What does all this mean? Well, .PHP coding is just another language for writing/constructing websites. DIV tags produce the same effect as tables, but without unnecessary codes. The include command works similar to links on a web page, but for web coding. Say I’m building a website with 30 pages. Instead of writing the code for the main menu, on each individual page, I’ll create a “link,” this being the include command, to the file the contains the code for the main menu. This code is saved separately from all the other pages. So when Joe decides that he wants to switch the order of his menu, I won’t have to do it 30 times. I’ll do it once, save it, and the change will show up on every page. (Voila!) CSS coding works much the same way, but for styling text, borders, backgrounds, etc.

The results? What took the previous "web designers" 146 lines of code to create, I accomplished in 35. (Below are images of the two codes, for all to compare.)

So what's going to happen with Joe's website? After showing him how inefficient (and ineffective) his web pages are, he signed up for a total website redesign. His new site will grow from 6 pages, to approximately 25.

Keep following my blog for further updates on "Joe's" new website. Also, look for my follow up article on website construction, where I’ll discuss why I prefer to use .PHP coding, DIV tags, include commands and CSS style sheets, in more detail.

-Pete C.
Brainwerx Design